American Band Stand: Indian Style
It was just like American Bandstand of the 1950’s, this humid evening in
Many things come to us in
colony just outside our apartment compound wall. We had no clue what was going on. Several days earlier, a giant bamboo scaffolding rose from the ground at the corner of our street and
We wandered from our apartment and took a short walk that lead us into the small walled compound where the stage was set, the music blaring and stone pillars planted. We mingled. The beat was an easy cha-cha. Our toes tapped, our feet shuffled and before long we were in full cha-cha motion. Despite the cramp conditions, the crowd opened a space. Hooting and clapping soon surrounded us. Before long the small crew with the video camera used to broadcast the bandstand acts, trained its bright spot light on us. More hooting…more clapping…and our rhythmic cha-cha transformed our stone pillar neighbors into a gyrating and dancing knot of fellow revealers.
The song ended. We were urged by the crowd to continue with the next song into another dance. No cha-cha beat… no east coast swing rhythm. We successfully deferred. We stayed among our fellow young revealers, their arms raised, bodies swinging (video) lost in the beat of the music. Dancing has been banned in
With the band still thumping out a rousing tune, we were approached by festival organizers clearly recognized by the large buttons worn on their shirts. With grace they motioned us forward to the stage. Clarity of intent strikes us as we are lead onto the stage, introduced in the native
language of Kannada and invited to dance for the crowd. With no need to worry about bail money, we swing and gyrate…raise our arms…move our hips and woo our newly found 300 best friends. Afterwards we are given flowers, a fruit basket, a small trophy and treated as honored guests in our festival decorated neighborhood by the Dick Clark of
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